A number of elder bhikkhus are discussing the meaning of the Buddha's words from the verse on ‘Metteyya’s Questions’ in the Sutta Nipāta. They each share a well-spoken explanation and then present it to the Buddha, who presents his intended meaning when he spoke those words.

PTS 3.399–3.401

AN 6.61 Majjhe sutta - Middle

Evaṁ me sutaṁ—ekaṁ samayaṁ bhagavā bārāṇasiyaṁ viharati isipatane migadāye.

Thus have I heard—At one time, the Blessed One was staying in the Deer Park at Isipatana near Varanasi.

Tena kho pana samayena sambahulānaṁ therānaṁ bhikkhūnaṁ pacchābhattaṁ piṇḍapātapaṭikkantānaṁ maṇḍalamāḷe sannisinnānaṁ sannipatitānaṁ ayamantarākathā udapādi: “vuttamidaṁ, āvuso, bhagavatā pārāyane metteyyapañhe:

Now at that time, a number of elder bhikkhus, having returned from their alms round after the meal, were seated and assembled together in the round pavilion. Then this conversation arose among them: “Friends, this was said by the Blessed One to ‘Metteyya’s Questions’ in the Way to the Far Shore [SnP 5]:

‘Yo ubhonte viditvāna,
majjhe mantā na lippati;
Taṁ brūmi mahāpurisoti,
sodha sibbinimaccagā’”ti.

‘Having known both ends,
through wisdom, he does not get entangled in the middle;
I call him a great man—
he has gone beyond stitching [existence].’”

“Katamo nu kho, āvuso, eko anto, katamo dutiyo anto, kiṁ majjhe, kā sibbinī”ti? Evaṁ vutte, aññataro bhikkhu there bhikkhū etadavoca:

“Friends, what is the first end? What is the second end? What is the middle? And what is meant by stitching?” When this was said, one of the elder bhikkhus said to the other bhikkhus:

“phasso kho, āvuso, eko anto, phassasamudayo dutiyo anto, phassanirodho majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“Contact, friends is the first end, the arising of contact is the second end, and the ending of contact is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte, aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“atītaṁ kho, āvuso, eko anto, anāgataṁ dutiyo anto, paccuppannaṁ majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto, pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“The past, friends, is the first end; the future is the second end, and the present is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte, aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“sukhā, āvuso, vedanā eko anto, dukkhā vedanā dutiyo anto, adukkhamasukhā vedanā majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto, pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“Pleasant feeling, friends, is the first end; painful feeling is the second end, and neither-painful-nor-pleasant feeling is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte, aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“nāmaṁ kho, āvuso, eko anto, rūpaṁ dutiyo anto, viññāṇaṁ majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“Name, friends, is the first end, form is the second end, and consciousness is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“cha kho, āvuso, ajjhattikāni āyatanāni eko anto, cha bāhirāni āyatanāni dutiyo anto, viññāṇaṁ majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“The six internal sense bases, friends, are the first end, the six external sense bases are the second end, and consciousness is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“sakkāyo kho, āvuso, eko anto, sakkāyasamudayo dutiyo anto, sakkāyanirodho majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, āvuso, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“Personal existence, friends, is the first end, the arising of personal existence is the second end, and the ending of personal existence is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Evaṁ vutte, aññataro bhikkhu there bhikkhū etadavoca:

When this was said, another elder bhikkhu said to the other bhikkhus:

“byākataṁ kho, āvuso, amhehi sabbeheva yathāsakaṁ paṭibhānaṁ. Āyāmāvuso, yena bhagavā tenupasaṅkamissāma; upasaṅkamitvā bhagavato etamatthaṁ ārocessāma. Yathā no bhagavā byākarissati tathā naṁ dhāressāmā”ti.

“Friends, we have each given an explanation according to our own intuition. Let us go to the Blessed One and present this matter to him. In whatever way the Blessed One will explain it, that is how we should remember it.”

“Evamāvuso”ti kho therā bhikkhū tassa bhikkhuno paccassosuṁ. Atha kho therā bhikkhū yena bhagavā tenupasaṅkamiṁsu; upasaṅkamitvā bhagavantaṁ abhivādetvā ekamantaṁ nisīdiṁsu. Ekamantaṁ nisinnā kho therā bhikkhū yāvatako ahosi sabbeheva saddhiṁ kathāsallāpo, taṁ sabbaṁ bhagavato ārocesuṁ. “Kassa nu kho, bhante, subhāsitan”ti?

“Yes, friend,” the elder bhikkhus replied in agreement to that bhikkhu. Then the elder bhikkhus approached the Blessed One, and having drawn near, they paid homage and sat down to one side. Seated to one side, the elder bhikkhus reported to the Blessed One the entire conversation they had shared together. “Venerable sir, whose words were well-spoken?”

“Sabbesaṁ vo, bhikkhave, subhāsitaṁ pariyāyena, api ca yaṁ mayā sandhāya bhāsitaṁ pārāyane metteyyapañhe:

“All of you have spoken well in your own way. However, it was this that I had in mind when I spoke in the Pārāyana, in ‘Metteyya’s Questions’:

‘Yo ubhonte viditvāna,
majjhe mantā na lippati;
Taṁ brūmi mahāpurisoti,
sodha sibbinimaccagā’ti.

‘Being wise and having known both ends,
he does not get entangled in the middle;
I call him a great man—
he has gone beyond stitching [existence].’

Taṁ suṇātha, sādhukaṁ manasi karotha, bhāsissāmī”ti.

Listen to this and pay close attention; I will speak.”

“Evaṁ, bhante”ti kho therā bhikkhū bhagavato paccassosuṁ. Bhagavā etadavoca:

“Yes, venerable sir,” the elder bhikkhus replied to the Blessed One. The Blessed One said this:

“phasso kho, bhikkhave, eko anto, phassasamudayo dutiyo anto, phassanirodho majjhe, taṇhā sibbinī; taṇhā hi naṁ sibbati tassa tasseva bhavassa abhinibbattiyā. Ettāvatā kho, bhikkhave, bhikkhu abhiññeyyaṁ abhijānāti, pariññeyyaṁ parijānāti, abhiññeyyaṁ abhijānanto pariññeyyaṁ parijānanto diṭṭheva dhamme dukkhassantakaro hotī”ti.

“Contact is the first end; the arising of contact is the second end, and the ending of contact is the middle. Stitching is a metaphor for craving, for craving stitches into production this or that state of existence. It is in this way that a bhikkhu directly knows what should be directly known, completely comprehends what should be completely comprehended; and by doing so, in this very life, he makes an end of suffering.”

Topics & Qualities:

Complete comprehension

Complete comprehension

The thorough understanding of phenomena as they truly are—fully knowing their arising, passing, and the unsatisfactoriness inherent in them while they persist.

Also known as: full understanding, knowing full well, seeing things as they are
Pāli: pariññāya, sammadaññā, sampajañña, saṅkhāya
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Consciousness

Consciousness

Consciousness, the fifth aggregate, has two key meanings in the discourses: 1.) The distinctive quality of awareness which knows and arises in dependence on the meeting of eye and form, ear and sound, nose and odor, tongue and taste, body and tangible object, mind and mind object. 2.) A seed that finds a footing in a realm, established by ignorance and intention, leading to renewed existence.

Also known as: awareness, the faculty that distinguishes
Pāli: viññāṇa
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Contact

Contact

The meeting of sense faculty, sense object, and the corresponding consciousness—the convergence of three. Contact is where experience actually touches: from it arise feeling, intention, and perception, and it is the pivotal link between the sense bases and the rest of mental life. It is one of the factors of name (mentality) and a central node in dependent origination.

Also known as: sense impingement, sense impression
Pāli: phassa
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Craving

Craving

A driving ‘thirst’ that reaches out toward experiences, identities, or outcomes as the place to find satisfaction—“if only I had that.” It spins stories of lack, binds the mind to becoming, and invariably leads to suffering.

Also known as: wanting, yearning, longing, lit. thirst
Pāli: taṇha, abhijjhā
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Direct knowledge

Direct knowledge

A deep, firsthand realization or knowing that arises from personal experience, not from study or conceptual understanding; it is an immediate, unmediated apprehension of truth.

Also known as: experiential understanding, direct experience
Pāli: abhiñña
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Ending

Ending

The complete exhaustion and ending of craving, aversion, and delusion—the three roots of suffering. It refers to both the gradual wearing away of defilements through practice and the final cessation that constitutes Nibbāna.

Also known as: cessation, exhaustion, gradual ending, wearing away
Pāli: khaya, khīṇa, nirodha
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Felt Experience

Felt Experience

Pleasant, neutral, or painful sensation—the experience felt on contact. Sometimes translated as “feeling.” Distinct from an emotional state or reaction, it refers to the affective tone of experience, the bare sensation of pleasure, pain, or neutrality before mental responses arise. It is the second of the five aggregates.

Also known as: feeling
Pāli: vedanā
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Form

Form

Materiality—the four great elements and the form derived from them—encompassing both one’s body and external objects, whether near or far, gross or subtle. It is that which is affected: by cold and heat, hunger and thirst, and contact with the world.

Also known as: material form, materiality, material existence
Pāli: rūpa
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Inspiration

Inspiration

A mental quality characterized by a sudden burst of creative insight or understanding, often leading to innovative ideas or solutions.

Also known as: eloquence, intuition, ingenuity, wit, creativity
Pāli: paṭibhāna
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Name

Name

Feeling, perception, intention, contact, and attention — the elementary acts of recognition and designation — are referred to as ‘name.’

Also known as: mentality
Pāli: nāma
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Last updated on October 4, 2026

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