Reference Translation by Bhikkhu Sujato (CC0).
“Pañcime, bhikkhave, ādīnavā āyatakena gītassarena dhammaṁ bhaṇantassa.
“Mendicants, there are these five drawbacks in reciting with a drawn-out singing voice.
Katame pañca?
What five?
Attanāpi tasmiṁ sare sārajjati, parepi tasmiṁ sare sārajjanti, gahapatikāpi ujjhāyanti:
You relish the sound of your own voice. Others relish the sound of your voice. Householders complain:
‘yatheva mayaṁ gāyāma, evamevaṁ kho samaṇā sakyaputtiyā gāyantī’ti, sarakuttimpi nikāmayamānassa samādhissa bhaṅgo hoti, pacchimā janatā diṭṭhānugatiṁ āpajjati.
‘These ascetics who follow the Sakyan, sing just like us!’ When you’re enjoying the melody, your immersion breaks up. Those who come after follow your example.
Ime kho, bhikkhave, pañca ādīnavā āyatakena gītassarena dhammaṁ bhaṇantassā”ti.
These are the five drawbacks in reciting with a drawn-out singing voice.”
Navamaṁ.
Reference Translation by Bhikkhu Sujato (CC0).
“Mendicants, there are these five drawbacks in reciting with a drawn-out singing voice.
What five?
You relish the sound of your own voice. Others relish the sound of your voice. Householders complain:
‘These ascetics who follow the Sakyan, sing just like us!’ When you’re enjoying the melody, your immersion breaks up. Those who come after follow your example.
These are the five drawbacks in reciting with a drawn-out singing voice.”
“Pañcime, bhikkhave, ādīnavā āyatakena gītassarena dhammaṁ bhaṇantassa.
Katame pañca?
Attanāpi tasmiṁ sare sārajjati, parepi tasmiṁ sare sārajjanti, gahapatikāpi ujjhāyanti:
‘yatheva mayaṁ gāyāma, evamevaṁ kho samaṇā sakyaputtiyā gāyantī’ti, sarakuttimpi nikāmayamānassa samādhissa bhaṅgo hoti, pacchimā janatā diṭṭhānugatiṁ āpajjati.
Ime kho, bhikkhave, pañca ādīnavā āyatakena gītassarena dhammaṁ bhaṇantassā”ti.
Navamaṁ.